![]() 42, which is shown to share several features, including an evocation of the sublime, a requirement for hermeneutic interpretation and liminality, which Taruskin suggests cause Beethoven's work to be resisted. In this dissertation it is examined in relation to Schoenberg's Piano Concerto, Op. The notion of 'resistibility', whereby a work is performed unsympathetically by those who are not in accord with its overall aesthetic, was propounded by Taruskin as a critique of certain performances of Beethoven's Symphony no. By viewing Rachmaninov’s temporal fluctuation in this way, in relation to a specific piece, we are able to see clearly how this aspect of performance practice operates in the recorded style of possibly one of the foremost respected and successful pianists of all time. The study begins with a section concerning approach and methodology when analysing temporal aspects of performance, and the analysis itself (in Sections 2 and 3) makes reference to graphic representation of the recordings through the use of the purpose-built computer software Sonic Visualiser (developed in conjunction with the research carried out in the first decade of this century by the Centre for the History and Analysis of Recorded Music). Brief analysis of other pieces Rachmaninov recorded more than once throughout the 1920s is then carried out to determine whether chronological patterns of interpretative change may be observed, taking any differences between Rachmaninov’s Polka recordings as a starting point. By focusing on Rachmaninov’s four recorded performances of his Polka de W.R., written in 1911-one on piano roll and three on record, spanning nine years from the earliest (1919) to the latest (1928)-we are able to determine firstly how characteristics of his style are manifested in these performances, and secondly, the extent to which they differ. ![]() More specifically, it analyses characteristics of temporal fluctuation in his recordings. This dissertation takes as its subject the performing style of the great composer, conductor and pianist, Sergei Rachmaninov (1873–1943). ![]()
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